January 17th, 2016

wood cat

Arisia: Steven Universe: We’ll Always Find a Way

Description:

Rebecca Sugar’s Steven Universe has been a breakout hit for Cartoon Network. The first series on the network created by a woman, it tells powerful, funny, and moving stories in tiny doses, and has dealt uncompromisingly with issues around gender, childhood, and family in ways both unexpected and delightful. It’s also telling a great long-form adventure story. We’ll talk about all elements of this show in a panel that, like the show itself, will appeal to fans of all ages.
Cassandra Lease (m), Gillian Daniels, Max Gladstone, Juliet Kahn, Cody Mattes

I'm going to say upfront that this panel made me unreasonably grumpy because (a) the room it was in had some deep thrum in the HVAC that made me feel like my brain was melting (I left a panel yesterday because of that, also because I needed a nap) and (b) my breakfast consisted of two chocolate cookies, which was nobody's fault but my own. I heard lots of people being happy as we left.

It is reasonable of me to be grumpy that, after announcing that questions were going to be held until the end, the moderator let someone who appeared to be a white dude interject a question. (Many other people had put hands up and been told by the panel to wait.)

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I didn't take a lot of notes because I didn't bring a keyboard and because I've still never tidied my exhaustive notes from several Readercon panels. Also, a lot of what was said was good and true but also not new to me. Here are some non-spoiler comments:

Rebecca Sugar did fanart for a show called Ed, Edd n Eddy, plus created a comic called Pug Davis which is a space opera about a guy with the head of a pug and his gay sidekick, and which a fast Google suggests is now comprehensively unavailable.

Ian Jones-Quartey, before animation school, did a webcomic called RPG World which Max was a big fan of and which also appears to be completely lost. (Also, his grandmother was awesome.)

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My question, that I didn't get to ask: does anyone have a theory on why it's the Crystal Gems?

Finally, today I learned that Utena is UTE-ah-na not you-TAY-na. One of these days I'll watch it, I swear.

(After the panel I had mediocre food at Rosa Mexicano—half the tortilla chips were so soggy with grease they were actually difficult to chew—and then wrote this first because I was going to write up Friday's panels to put myself in a better mood, but it's already three and I have a panel at four, so probably that should wait. I have had my SU playlist on repeat, though, which has done wonders for my mood all by itself.)

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wood cat

Arisia: three sets of very sketchy panel notes

So far all the panels I've been a participant on have been great! I just have even worse notes than usual and I left the con early (by con standards) because I'd suddenly run out of energy. So let me toss out the little I do have for discussion.

First, there was Collapse )

I'm putting this outside the cut because it is still the best thing I've heard all weekend:

Ken said that there is a huge genre of serial prose stories in China, and in one very popular one, two armies were literally facing each other across the battlefield when the author announced that he was stopping writing it. The author went off and wrote other things, and then years later, came back and announced he was going to finish the story. Everyone was very excited, downloaded the installment, and said " . . . wait, this is only about a thousand words long, that's nowhere near long enough to finish the story." And in the story, the armies were facing each other, but then there was this light, and they looked up, and it was a meteorite, that was getting closer, and closer, and . . .

Yes, it was LITERALLY rocks fall, everyone dies.

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Finally, today there was Collapse )

I also went to a panel called "Arisia Fixes Hollywood" (not many concrete fixes that I heard, but I was really sleepy and playing a mindless tablet game to stay awake; also the moderator alas thought it was an hour panel instead of the 75 minutes it actually was); and "The Future of Disability in Literature," which was heartfelt and well-prepared and I have zero notes because again tired. (I was going to say that disability panels seem to get fail even more consistently than race panels, but on reflection it's possible that it was the same person saying something upsetting this year and the last time I was at an Arisia disability panel.)

And now it's midnight and I fall at concision. Le sigh.

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